a cura di: Molinari Cesare

European Theatre iconography

0 Valutazione
stato: Disponibile
Argomento: Teatro e critica teatrale
Collana: Miscellanea teatrale
anno: 2002
, pagine: 400 con illustrazioni in cd-rom

ISBN: 978-88-8319-718-5
33,57 €
31,89 €
Risparmi:
1,68 €
 Torna a: Teatro e critica teatrale

Indice
Cesare Molinari, PrefaceAbstracts
Richard Woodfield, Some Reflections on Theatre IconographyLyckle de Vries, Theatre iconography: Is it possible?
Cesare Molinari, Notes about Series in Theatre Iconography
Maria Ines Aliverti, Plus théâtral que le théâtre. Stratégies de l’imaginaire et images pour un théâtre à venir de Diderot à Craig
Martine de Rougemont, La théâtraité- relève-t-elle du visible? Questions sur l’illustration théatrale
Thomas A. Pallen, Caveat emptor: A reinvestigation of Jean Fouquet’s “The Martyrdom of Saint Apoionia”
Sandra Pietrini, Iconographical Models in Various Contexts: the Roman Theatre in a French Manuscript of Titus Livius
M.A. Katritzky, Theatre iconography in costume series: The “New York” friendship album
Renzo Guardenti, The iconograpby of the “Commedia dell’Arte”: figurative recurrences and the organization of the repertory
Anne Surgers, Le corps éloquent de l’acteur en jeu au XVIIe siècle, à partir du Jugement de Salomon de Nicolas Poussin (1649): figures de la rbétorique du visible
Catherlne Guillot, Les images-séries du roi de tragédie au XVIIe siècle et la questiqn de la théâtralité du pouvoir politique
Gtinther Herg, Thèâthre imagé. Diderot et Consort. Quelques pièes sur la relation intermediale entre les arts similaires du thèâthre et de la peinture
Katl Röttger, The Devil’s Eye: Goethe, Faust and the Laterna MagicaMaria Chiara Barbieri, Iconographical sources of a post-mortem image of John Philip Kemble
Shearer West, Pperformance and Display: The Actress on Stage at the Royal Academy
Martin Meisel, The Eye and the Bebolder: Daumier’s Le Drame and the Making of AudiencesCesare Molinari, Daumier and Robert Macaire
Laurence Senelick, Theatricality before the camera: The earliest photographs of ActorsCarol Ockman, Sarah, Bernhardt Death and the Icon
Claudia Balk, Tbeatricality’ and photography-iconographic similarities in nineteenth-century role portraits: postures, costumes and spatial situations
Christophet Balme, Moving Media: Theatre Iconography and its LimitsBiographical NotesIndex of illustrations

Lascia una tua recensione

Lascia una tua recensione
Hai letto questo libro? vuoi lasciare una tua recensione? iscriviti al sito e accedi con il tuo utente e la tua password per scrivere un tuo commento.
Grazie

Autenticati per poter scrivere una recensione. Accedi